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Digital Video Covergage

As a technology, analog is the process of taking an audio or video signal (the human voice) and translating it into electronic pulses. Digital on the other hand is breaking the signal into a binary format where the audio or video data is represented by a series of "1"s and "0"s. Simple enough when it's the deviceanalog or digital phone, fax, modem, or likewisethat does all the converting for you.
Digital versus analog can refer to method of input, data storage and transfer, the internal working of an instrument, and the kind of display. The word comes from the same source as the word digit and digitus. The digital technology breaks your voice (or television) signal into binary code a series of 1s and 0s transfers it to the other end where another device (phone, modem or TV) takes all the numbers and reassembles them into the original signal. The beauty of digital is that it knows what it should be when it reaches the end of the transmission. That way, it can correct any errors that may have occurred in the data transfer. What does all that mean to you? Clarity. In most cases, you'll get distortion-free conversations and clearer TV pictures. The nature of digital technology allows it to cram lots of those 1s and 0s together into the same space an analog signal uses. Like your button-rich phone at work or your 200-plus digital cable service, that means more features can be crammed into the digital signal. Digital offers better clarity, but analog gives you richer quality. Digital like the VCR or the CD is coming down in cost and coming out in everything from cell phones to satellite dishes.

Features

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New Gear: Sigma SD1 Flagship DSLR

The new boss in Sigma's DSLR line comes line comes with a seriously upgraded.

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Leica Unveils Limited
Edition Titanium M9

With some help from the Audi design team, Leica has created a stunning limited run.

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New Gear: Panasonic Lumix DMC-GH2

Panasonic’s new G-series is a true photo/video hybrid

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News

  • Hassalblad introduces H4D-31 camera and CFV-50 back

    23rd September 2010

    Hasselblad has introduced the H4D-31 medium format camera with a 31Mp sensor. It features the 'True Focus' AF system of the the H4D series and offers an optional CF-lens adapter to mount the company's V-System lenses (also available as part of a kit). The company has also introduced the CFV-50 medium format digital back with a 50Mp sensor.

  • Just posted! Our Olympus E-5 preview samples gallery

    23rd September 2010

    Our preview samples gallery from Olympus's latest DSLR, the E-5. In amongst all of the hustle and bustle of Photokina, we've managed to find time to take Olympus's new professional flagship out and about on the streets of Cologne to bring you a preliminary samples gallery. It includes shots taken across the full ISO range, and we've even tried out the new 'Dramatic Tone' art filter. Click through to take a look.

  • Aptina announces CMOS sensors for DSLRs and compacts

    23rd September 2010

    Sensor developer Aptina has launched a 16Mp APS-C CMOS sensor capable of full 1080p HD video at 30fps. The MT9H004 sensor uses the company's latest DR-Pix technology increasing signal-to-noise ratio under low-light conditions, delivering better image quality in high ISO photographs. The sensor can produce full resolution images at 10fps and is intended for use in DSLRs.

  • Datacolor announces SpyderChekr camera calibrator

    23rd September 2010

    Samyang has updated its 14mm F2.8 lens for Nikon F mount with an electronic interface. The manual focus lens' electronic contacts allows full support of automatic exposure modes of Nikon DSLRs and includes lens-related data in the EXIF. The AE 14 mm f/2.8 ED AS IF UMC is designed for full-frame cameras, but works with APS-C cameras as well.

  • Samyang announces 8mm F3.5 Fish-eye for videographers

    23rd September 2010

    Samyang has released a version of its 8mm F3.5 Fish-eye lens optimised for filmmakers. Designed for APS-C Canon and Nikon video-enabled DSLRs, the V-DSLR 8mm F3.5 Aspherical IF MC Fish-eye CS features the same optical construction as the still photography version, but has been adapted to the Follow Focus system for smoother focusing.

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