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Professional Photography

The more you know ahead of time, the less time you will waste trying to come up with relevant, intelligent art. Let’s take the simplest of situations shooting a sunset.
Be helpful to other photographers, especially other pros. A career as a Free-lance photographer is a very difficult way to make a living so help out. Share info and equipment if you can. Be tolerant and friendly to amateur photographers who ask your help. They show their love and respect for something you believe in.
Rules of Professional Photography
You must never be a part of the situation you are shooting, whether it is a wedding or a news event or a family gathering. You must learn to be an unattached observer or you alter the purity and honesty of the events before you. You must not photograph people when you are in a private place unless you have their permission. That is invasion of privacy and against the law.
If you get their permission you are well advised to tell those folks what you intend to do with the photo..
In fact, you may not sell that photograph for commercial purposes, even though you received permission to photograph the person, unless you have a “Photo Release” form from that person, giving you the right to use the picture for commercial use..
If you are on public property and manage to photograph something that transpires on private property you may use that photograph for you personal use, and have it published in a legitimate media – like a newspaper or Internet website – however, you may not sell, or use, that photograph for the purposes of making money off of it..
Being a photographer carries with the responsibility of never altering a photograph. (You can lighten, darken, sharpen, or crop the image and be safe. To alter is to “Make or become different in some particular way, without permanently losing one’s or its former characteristics or essence – either through darkroom techniques or digital “enhancement” – you are compromising the purity and integrity of the art.) Photography has an inherent quality of honest and you must have the courage to stand by the image.

Features

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New Gear: Sigma SD1 Flagship DSLR

The new boss in Sigma's DSLR line comes line comes with a seriously upgraded.

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Leica Unveils Limited
Edition Titanium M9

With some help from the Audi design team, Leica has created a stunning limited run.

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New Gear: Panasonic Lumix DMC-GH2

Panasonic’s new G-series is a true photo/video hybrid

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News

  • Hassalblad introduces H4D-31 camera and CFV-50 back

    23rd September 2010

    Hasselblad has introduced the H4D-31 medium format camera with a 31Mp sensor. It features the 'True Focus' AF system of the the H4D series and offers an optional CF-lens adapter to mount the company's V-System lenses (also available as part of a kit). The company has also introduced the CFV-50 medium format digital back with a 50Mp sensor.

  • Just posted! Our Olympus E-5 preview samples gallery

    23rd September 2010

    Our preview samples gallery from Olympus's latest DSLR, the E-5. In amongst all of the hustle and bustle of Photokina, we've managed to find time to take Olympus's new professional flagship out and about on the streets of Cologne to bring you a preliminary samples gallery. It includes shots taken across the full ISO range, and we've even tried out the new 'Dramatic Tone' art filter. Click through to take a look.

  • Aptina announces CMOS sensors for DSLRs and compacts

    23rd September 2010

    Sensor developer Aptina has launched a 16Mp APS-C CMOS sensor capable of full 1080p HD video at 30fps. The MT9H004 sensor uses the company's latest DR-Pix technology increasing signal-to-noise ratio under low-light conditions, delivering better image quality in high ISO photographs. The sensor can produce full resolution images at 10fps and is intended for use in DSLRs.

  • Datacolor announces SpyderChekr camera calibrator

    23rd September 2010

    Samyang has updated its 14mm F2.8 lens for Nikon F mount with an electronic interface. The manual focus lens' electronic contacts allows full support of automatic exposure modes of Nikon DSLRs and includes lens-related data in the EXIF. The AE 14 mm f/2.8 ED AS IF UMC is designed for full-frame cameras, but works with APS-C cameras as well.

  • Samyang announces 8mm F3.5 Fish-eye for videographers

    23rd September 2010

    Samyang has released a version of its 8mm F3.5 Fish-eye lens optimised for filmmakers. Designed for APS-C Canon and Nikon video-enabled DSLRs, the V-DSLR 8mm F3.5 Aspherical IF MC Fish-eye CS features the same optical construction as the still photography version, but has been adapted to the Follow Focus system for smoother focusing.

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